Monthly Archives: April 2015

Writing for Mujeres Talk

by the Editorial Group

As an online venue dedicated to the publication of Latina, Chicana, and Native American Studies research, commentary, and creative work that is widely accessible to both specialist and non-specialist audiences, we’ve often been asked by potential authors to provide guidelines on how to write for this site. In answer to this request, we’d like to share our experience in writing and editing for this site, and provide a guide for authors.

The Academic Journal Article

Throughout one’s career, academics receive extensive training in how to write a scholarly article for publication in a peer-reviewed journal. That training begins with the assignment of the seminar paper in a graduate course and workshops on publishing in graduate school. As a new professor, one receives further training in the form of workshops, mentorship from senior faculty, actual peer review feedback on submissions, participation in peer reviewing the work of others, and the ongoing reading of academic journals and volumes. Through this process, one learns how to craft a publishable academic journal article appropriate to a specific field. As should be apparent, this doesn’t happen overnight. There is a learning curve. For this reason, we at Mujeres Talk are not surprised when we occasionally hear back from a potential author who we’ve invited to submit that, “I don’t know how to write in that format,” or “I don’t have time to learn how to do that.” The working conditions in higher education have, indeed, changed significantly, and it’s no surprise that many academics barely have time to do what is expected and required of them for their regular appointments, let alone a kind of writing that may have more limited impact on tenure and promotion than traditional forms of scholarly publication (books, journal articles).

The Online Academic Essay: Actual Experience

Yet, academics and non-academics alike do write for Mujeres Talk, and for a variety of reasons, including:

·      To make Latina and Native American Studies contributions to media and public policy discussions

·      Interest in online dialogue on topics of importance to academic and non-academic audiences

·      Contribute to public discussion of humanities, and research in ethnic studies

·      Promotion of a recent publication or film

·      Opportunity to analyze current events

·      Widely share “how-to” information and guidance

·      Interest in collaborating with others in co-authored pieces

·      Provide mentorship and support to Latinas and Native American women in academia

·      Report on events, conferences, lectures

·      Engage students in interactive assignments.

These wide-ranging reasons for interest in our site has meant that Mujeres Talk has published several different types of short essay – “Dichos” or advice for academics; commentary on current events; personal reflections on research, community work, or current events; research in brief; biographic profiles; analyses of film or literature; and book reviews. We’ve also published three different kinds of multimedia artifacts: slide shows, graphic book; and short video. Three of our authors have used Mujeres Talk for class assignments. In one case, faculty author Ella Diaz wrote about the visit of artist Ana Teresa Fernandez to her school and assigned students to comment on their engagement with this artist and her art. In another instance, faculty author Brenda Sendejo collaborated with students in her Latina/o and Latin American Spiritualities course to co-write a piece on identity, social justice, and spirituality. In a third example, faculty author Theresa Delgadillo wrote an essay on Latinas/os in a popular television program that she also assigned her class to write, and then invited the class to engage in online dialogue on their shared assignment.

Essays that first appeared on Mujeres Talk have been republished on sites such as Share INC/Domestic Violence, Texas Ed Equity, and Puerto Rico Today. Our modified form of peer review has been cited by the US Intellectual History website. And we have collaborated in simultaneous posts with the websites HASTAC, La Bloga, and Somebody’s Children. We do not keep count of the thousands of spams and random hits the site receives, but we do track the number of page views/reads for each new post, and these have steadily climbed and now range between 400 and 1000 per post. Our subscriber list has grown to 194. Anyone can comment on our site, and we’ve received multiple comments from across the country on posts. We notify our growing list of followers on Facebook and Twitter of new posts, as well as related news. Since 2011, we have published 121 essays or multimedia presentations on this site.

Benefits of Writing for Mujeres Talk or Another Online Venue

Both academic and community authors who have contributed to our site have recognized multiple benefits from this experience, including:

·      Learning how to write for online media

·      Publicizing one’s expertise

·      Enhancing one’s online research profile or that of one’s program, department, or school so that others interested in areas you research can easily find you

·      Getting early feedback on work-in-progress.

Authors retain the copyright to the work they publish on Mujeres Talk and, with citation, may reproduce their short form research or online essay in longer journal articles or scholarly manuscripts on their research, or in other kinds of print or online publications.

Tips for Writing for Mujeres Talk

For authors interested in multimedia submissions, we encourage you to research readily available software for making short videos, graphic books, and slide shows to share. For those of you interested in learning how to write the kind of short essay we usually publish, we offer the following tips and questions as a guide:

·      Our upper word limit is 1500, and that means you can only say one or two things well. Your topic can be big, but your insight must be focused.

·      Imagine your audience. Who are you writing to? Is it a group of close colleagues? A public lecture open to anyone at your university? A conference-like gathering of people in your field? Be sure your essay addresses that audience. And then remember that your friend brought along some folks who would also like to understand your work, so make sure a non-specialist can follow it.

·      Write yourself into the essay, making apparent your investment, interest, and/or personal experience with the topic. This is especially important if you are writing a personal reflection or personally inflected commentary. It might be important if you are writing a review, but this advice is less likely to apply to essays that present research in brief.

·      Be generous to other Latina/o and Native American scholars and students.

·      Pose a question in your essay. This is a good way to invite readers in to dialogue.

·      Provide citations, references, shout-outs, and links where appropriate.

·      Save some good stuff for the peer review journal article that will carry greater weight in tenure and promotion.

If you’re interested in writing commentary about a current event or reporting on a lecture, conference, or concert, you might begin a draft of your essay by jotting down some short answers to these questions:

·      What event are you interested in writing about?

·      Why is this event important to Mujeres Talk audiences?

·      Do you want readers to do something about this current event or do you want them to know something about this event? If you answer “do something” explain what and provide links. If you answer “know something” explain what, and include citations.

·      If there is currently public discussion about this event, what are the views currently circulating? How is yours different?

·      How did you become interested in this event? What personal experience do you have with this event?

If you’re interested in writing research in brief, consider which piece of your ongoing, original research you want to publish in this format. Like academic journals, we seek unpublished, original work. Unlike academic journals, we only publish in short format. Keeping that distinction in mind, consider writing about a concept in your research, or how that concept has been critically regarded, or one example of the kind of analysis you are engaging, or a small piece of your findings. The short form research essay will not be as extensive or as complete as the academic journal article, but it does need to be as rigorous and engaging as any more extended work.

Since this is a distillation of our experience, we thank all the women who have ever served on the  Editorial Group of Mujeres Talk and all the authors who have published on this site. A special thank you to Diana Rivera of Michigan State University who recently completed a one year term on our Editorial Group for her wise advice and guidance in creating mechanisms to ensure the continued success of the site.

Rafaela G. Castro (1943-2015): In Memoriam

photo of Rafaela G. Castro

Rafaela G. Castro. Photo courtesy of Castro Family. CC BY-NC-ND 2.0

by Roberto C. Delgadillo

I first met Rafaela G. Castro during the annual week long Guadalajara International Book Fair, better known as the FIL (from its Spanish name: Feria Internacional del Libro de Guadalajara), in early December 2000. The FIL is the most important publishing gathering in Ibero-America. Created 29 years ago by the University of Guadalajara, the FIL attracts academic, public, and school librarians and allows them to see and explore the books that form the core of major US based Spanish language library collections. The face-to-face interaction between librarians, publishers, and vendors result in better service and access to public and academic audiences. With business as one of its main goals, it is also a cultural festival in which literature plays a major role including a program where authors from all continents and languages participate, and a forum for the academic discussion of the major issues of our time. I was a part-time reference librarian assigned to the Hispanic Services Division of the Inglewood Public Library in Southern California. I was given the opportunity to attend and assist my then department head Adalin Torres, who kindly took the time to introduce me to librarians, publishers, vendors, and scholars I now consider friends and mentors. At the time I did not know Rafaela was a “luminary” among Chicana/o /Ethnic Studies Bibliographers. Her book Chicano Folklore: A Guide to the Folktales, Traditions, Rituals and Religious Practices of Mexican Americans is considered an excellent, and indispensable, starting point for scholars interested in examining terms associated with the Chicano experience, history, and customs.

I remember joining Rafaela for lunch that first time, along with UC Berkeley Ethnic Studies Selector/Liaison Susana Hinojosa, after Adalin mentioned my pursuit of a doctoral degree in Latin American history. I enjoyed the many anecdotes Rafaela and Susana shared, and regret that I did not meet with them — as I should have — for the next three successive FILs. At the time, I faced several educational and professional constraints, did not envision a career in academic librarianship, and yet for reasons too numerous to detail here I also did not have what it takes to establish a career as a professor of Latin American history. Nonetheless, throughout that time, Susana and Rafaela kept in touch and strongly encouraged me to switch to academic librarianship. I credit Susana for getting me into the UC system and Rafaela for directing me to UC Davis in particular after I finished my studies in 2004.

To say I was overwhelmed when I arrived at UC Davis in November 2005 would be an understatement. By then Rafaela had retired and was pursuing other professional and personal interests and yet she always made the time to speak to me whenever I had a question — or several, as was often the case. During our phone calls and visits at subsequent FILs, Rafaela taught me invaluable lessons: she made me particularly aware of the vulnerability and necessity of creating and constantly maintaining library collections that document the experience of America’s marginal cultures. Often it is only experienced librarians, archivists, and scholars who can truly understand the significance of such collections. Rafaela taught me that all too often such collections  are especially vulnerable to being undervalued. My success as a Chicana/o Studies Bibliographer is built upon Rafaela’s careful and thoughtful stewardship of her collections. Rafaela’s subject knowledge was, and remains, crucial to the delivery of effective library service, the preservation of these collections and the future viability of the library. She always reminded me that the deferral of timely selection and purchase of materials, lax security and a lapse in reliable service can quickly destroy unique resources such as Chicana/o Studies collections.

Rafaela G. Castro was born in Bakersfield, California but grew up in Arvin, a small agricultural town near Weedpatch Camp, the labor camp featured in John Steinbeck’s Grapes of Wrath. When she was ten years old her family moved to the San Francisco Bay Area where she lived most of her life. After spending two years in Brazil with the Peace Corps, in the mid-1960s, she returned home to start her education. Attending UC Berkeley, she received degrees in English Literature, Library Science, and Folklore.

Rafaela’s academic library career spanned over thirty years, at community college and university libraries, and in teaching courses on Ethnic Bibliography and Chicana/o Studies at UC Berkeley’s School of Library and Information Studies and Ethnic Studies Department. In between these various positions she also worked at DQ University and Adelante, Inc., a non-profit organization in Berkeley. She retired from Shields Library at the University of California, Davis in 2004.

After completing the writing of a master’s thesis she discovered the joy of writing and wrote articles for Chicana/o Studies and academic library professional journals. She also wrote entries for folklore and biographical encyclopedias. During the 1990s Rafaela wrote opinion columns on Mexican American culture for the San Francisco Chronicle, and she contributed to “Perspectives,” a public affairs commentary series, on KQED-FM.

I last saw Rafaela during a scheduled presentation at a local area bookstore for her collection of personal essays Provocaciones: Letters From the Prettiest Girl in Arvin. I was immediately struck by the number of similarities we shared in our childhood and professional lives. I smile to myself as I write these lines given that I am a Nicaraguan by birth, disabled, and male! I hesitate to discuss the book because that would require an entire essay altogether. I highly recommend it!! True to the book’s subtitle Rafaela was graceful, modest, beautiful, strong…and passionate about what she experienced after leaving Arvin.

The many lessons that Rafaela taught me came into sharp relief during the student occupation of the UC Davis University Library in January 2010. I recall thinking if Rafaela were there she would be at the library entrance to DEFEND student spaces on campus, and LEAD workshops, talks, discussion groups, and film screenings, to help PROTEST cuts to library funding, student co-ops, and public education. Instead I led students on tours of what I still consider Rafaela’s collections. I was amused at the praise I received for the collections and all the more so because the materials Rafaela gathered provide greater context for what the students were protesting at the time. During Rafaela’s career at UC Davis (1989-2004), she was instrumental in the acquisition of the Ada Sosa-Riddell Papers, the Mario Obledo Papers, the Cruz Reynoso Papers, and the Chicana/o Studies archives. According to one of our retired archivists, Rafela’s most important service to Special Collections was “her constant willingness to refer students to our collections. She directed a doctoral researcher to the Jack Forbes papers regarding the participation of Chicanos in the founding of DQU.” When I corrected the students by noting how these collections predated my arrival they left knowing the library and the legacy of Rafaela’s work created a community space they could claim as their own.

I feel honored to have known Rafaela, and will always be grateful for her mentorship. The Chicana/o Studies collections she built at the University Library continue to serve both students and the community as a whole. It is a privilege to build on her work and steward this collection for future students and researchers. Rafaela Castro, Presente!

Roberto C. Delgadillo is a Humanities and Social Sciences Librarian in Research Support Services at the UC Davis University Library.